A big hit among the small
The Fremont Outdoor Movies is counting on all of Seattle to come out and represent their city to return the Guinness World Record back to its rightful owner and crown Seattle the “Zombie Capital of the World” once and for all in the Dead Center of the Universe – Fremont.
The Zombie walk world record is 4,026 and currently held by the Big Chill Music Festival in the England, which narrowly edged out Seattle’s 3,894 last August. Event Producer, Ryan Reiter believes it will take 10,000 zombies to hold onto it for a while, but is confident Seattle can do it. Eric Pope of The Seattle Zombie Walk organization is back to help unite and lead the official Zombie Walk this July and excited about the possibilitIes.
Last summer’s event spectacle, The Red, White, and Dead Zombie Walk on the Fourth of July weekend in Seattle at which 6,000 people in full zombie costumes mobbed the streets and subsequently won a Guinness World Record in front of thousands of fans at the Comic Con Convention in San Diego.
ZomBcon arose from the success of last summer’s event spectacle, The Red, White, and Dead Zombie Walk on the Fourth of July weekend in Seattle at which 6,000 people in full zombie costumes mobbed the streets and subsequently won a Guinness World Record in front of thousands of fans at the Comic Con Convention in San Diego.
**********IMPORTANT NOTICE**********
Register online and purchase your ticket for the Zombie Walk and Movie Screening. By purchasing the ticket, your avoid the lines on the day of the event.
REGISTER ONLINE for the GUINNESS WORLD RECORD - http://redwhiteanddeadzombie.eventbrite.com/?ref=esfb
2010 RED, WHITE, AND DEAD EVENT SCHEDULE:
- Zombie Make-Up Event: 12:00 – 4:00pm
- Zombie Walk Registration starts at 12:00pm
- Thriller Dance Workshop: 3:00 – 4:00pm
- Special Musical Performance starts 4:00pm
- Fashionably Dead Costume Contest: 4:00pm *
- Zombie Walk #1 – 5:00pm
- Thriller Dance Youtube Video: 7:00pm
- Guinness World Record Announcement: 8:30pm
- Movie Screening – 9:30pm
This year’s festivities will return with a huge Thriller Dance, Zombie fashion show, musical performances, special guests and all time Zombie classic, George A. Romero’s DAWN OF THE DEAD. This year’ event will also include a blood drive, canned food drive and a portion of the proceeds will be donated to the local non profit organization, the Seattle International Film Festival in support of their new film center that will be at the Seattle Center.
With summer just around the corner, Seattle welcomes the return of warm summer nights, family vacations, the afternoon barbeque and Zombies? Yes, thousands of Zombies are planning their return to Fremont this Fourth of July weekend to walk and dance their way back into the history books for a bloody good time and cause.
The Fremont Outdoor Movies is counting on all of Seattle to come out and represent their city to return the Guinness World Record back to its rightful owner and crown Seattle the “Zombie Capital of the World” once and for all in the Dead Center of the Universe – Fremont.
The Zombie walk world record is 4,026 and currently held by the Big Chill Music Festival in the England, which narrowly edged out Seattle’s 3,894 last August. Event Producer, Ryan Reiter believes it will take 10,000 zombies to hold onto it for a while, but is confident Seattle can do it. Eric Pope of The Seattle Zombie Walk organization is back to help unite and lead the official Zombie Walk this July and excited about the possibilitIes.
Last summer’s event spectacle, The Red, White, and Dead Zombie Walk on the Fourth of July weekend in Seattle at which 6,000 people in full zombie costumes mobbed the streets and subsequently won a Guinness World Record in front of thousands of fans at the Comic Con Convention in San Diego.
ZomBcon arose from the success of last summer’s event spectacle, The Red, White, and Dead Zombie Walk on the Fourth of July weekend in Seattle at which 6,000 people in full zombie costumes mobbed the streets and subsequently won a Guinness World Record in front of thousands of fans at the Comic Con Convention in San Diego.
**********IMPORTANT NOTICE**********
REGISTER ONLINE for the GUINNESS WORLD RECORD, CLICK HERE
2010 RED, WHITE, AND DEAD EVENT SCHEDULE:
- Zombie Make-Up Event: 12:00 – 4:00pm
- Zombie Walk Registration starts at 12:00pm
- Thriller Dance Workshop: 3:00 – 4:00pm
- Special Musical Performance starts 4:00pm
- Fashionably Dead Costume Contest: 4:00pm *
- Zombie Walk #1 – 5:00pm
- Thriller Dance Youtube Video: 7:00pm
- Guinness World Record Announcement: 8:30pm
- Movie Screening – 9:30pm
This year’s festivities will return with a huge Thriller Dance, Zombie fashion show, musical performances, special guests and all time Zombie classic, George A. Romero’s DAWN OF THE DEAD. This year’ event will also include a blood drive, canned food drive and a portion of the proceeds will be donated to the local non profit organization, the Seattle International Film Festival in support of their new film center that will be at the Seattle Center.
WE HAVE FUN HERE - The Outdoor Cinema Events is a community spirited, big screen celebration of outdoor summer fun that happens in Seattle and Los Angeles every summer. This “walk-in” style event, where audiences bring their own seating and actively encouraged to join in an atmosphere of irreverent, laid back humor and “outta the box” entertainment mashed together to create the ultimate movie fan experience.
The outdoor movie series is an ongoing summer long tradition for the past 18 years built around an exciting program of cult classics, pop favorites, cool shorts and pre-show entertainment that play to over 65,000 people every summer over a period of twelve weeks in Seattle and Los Angeles.
Last year’s highlights included, The Guinness World Record for the “Largest Zombie Walk in the World”, Lebowski Fest “Speed of Sound” Tour celebrating “Everything Lebowski” from the cult hit The Big Lebowski, from the Coen Brothers. We also hosted a huge Pillow Fight, and ended the season with one big Fremont Oktoberfest kick off with “Animal House” with a huge beer garden.
In 2009, we had our biggest year yet; producing over 20 events with over 45,000 people attending in the summer long series this season and we expect it be even bigger in 2010. Along with our large Social Media marketing campaign through Twitter and Facebook, we offer a huge promotional campaign that offers you more bang for your buck and reaches your audience faster and quicker.
The summer of 2010 is already shaping up to be a big year with the return of our hugely anticipated RED, WHITE, & DEAD that aims to go after the history books again to bring the Zombie Record back to U.S. soil and so much more! We may be a community event, but our impact is worldwide and always having fun. Best part is we have sponsorships to fit any budget large or small.
Come see what all the buzz is about in Seattle and a hero in your community every Saturday night underneath the stars.

The Ultimate Family Portrait at Iron Giant Photography by Rick Carroll
Calling all Facebook weekend photo stars looking for a fun way to celebrate your warm summer nights outdoors. Here’s your chance to grab some friends, get dressed up, and strike a pose….no seriously, do it, we dare you.
With summer just around the corner, The Fremont Outdoor Movies is bringing the fun factor back to Saturday nights for some seriously fun photo opportunities for your gang of friends to get goofy! This year we are kicking off the the season with Vampires, Zombies, Ghosts, and a Prom Party to name just a few!
How does it work? It’s easy, get dressed up before the show or use our threads at the photo booth and give us your best shot. Heck it’s free and the top three winners get prizes for their participation. Every week, one lucky group wins a FREE pizza party for their next screening.
Last year’s line up included E.T., Army of Darkness, Indiana Jones, Shaun of the Dead, and so many others.
Rob Nilsson was featured on Minnesota Public Radio. The radio piece briefly covers Nilsson’s cinematic history and introduces two of his films: Presque Isle and Imbued, with Stacy Keach. The two films recently played in the Minneapolis St. Paul’s Film Festival. The full article and radio piece are located on Minnesota Public Radio’s website, Life as a Movie Maverick.

Every time I write these days I apologize for not writing. But there are a couple of reasons. I expended a lot of x’s and o’s on my film opinions in the past decade and had my say on many issues. I’ve been letting the field go fallow for a bit, letting the compost build up some, laying down some new soil to see what hybrids might take root. One thing I’ll say is that in the past five years there have been three films which have won Best Picture Oscars and given me hope. They are BABEL, CRASH and now HURT LOCKER. I saw it last night and it goes on my 50 film list, now up to 52 with the addition of Harutyun Khachatryan’s BORDER. I still think that Hollywood is a colonizing force rather than a liberating one. But it used to be years between films of value. I hope a sea change is coming, some kind of realignment, a new wave of real artists able to go beyond pop culture and political correctness. We’ll see.
My other reason is below. We’ve been very productive around here. We finished up the 9 @ Night Film Series a couple of years back and opened it at Harvard and in San Francisco. We finished PRESQUE ISLE, produced by the San Francisco School of Digital Filmmaking and this year SAND featuring Irit Levi and William Martin, the first of the new features from Citizen Cinema. I was in Ukraine twice in 2009 making a feature documentary about Trotsky. Citizen Cinema pictures COLLAPSE, SISTERS and MAELSTROM were produced and are in the edit room. We’re looking for some new editorial interns by the way. We’ve got a lot of good new work for people interested in learning the Direct Action style of editing.
And now IMBUED. Working with Stacy Keach was an inspiration! You’ve got to see his work along with that of Liz Sklar, Michelle Allen and Nancy Bower! It’s a departure from the 9 @ Night era but a good amalgam of new and old and a film which explores the Adam and Eve in all of us. Please try to see this film. It is strong, full of heart and contains mysteries worth exploring. And I assure you it’s worth the price of admission just to see Liz Sklar dance. And Mickey Freeman’s cinematography. Terrific. Please let people know about this Kansas City Opening to be followed by an appearance at the Minneapolis/St. Paul Film Festival on April 29, and the Golden Apricot Festival in Armenia in July. As always we’re doing this on our own hook with only people power and personal conviction to sustain us. You can help us by forwarding this message to your lists. And if you’re in the area, see you at the Kansas City Film Festival and the Screenland Crown Center.
Onward!

The Secret in Their Eyes (El secreto de sus ojos)Outstanding Reviews, Key Cities (82.4% Positive). The Secret in Their Eyes (El secreto de sus ojos) opened in key cities to outstanding reviews. • David Denby wrote in the New Yorker, "...powerfully and richly imagined: a genre-busting movie that successfully... More about this film...
Exit Through the Gift ShopOutstanding Reviews, Key Cities (Doc) (82.6% Positive). Exit Through the Gift Shop opened in key cities to outstanding reviews. • Allen Johnson wrote in the San Francisco Chronicle, "...a fascinating and entertaining glimpse into the world of high-level and socially conscious graffiti... More about this film...
Please GiveOutstanding Reviews, Limited (82.5% Positive). Please Give opened in limited release to outstanding reviews. • Shawn Levy wrote in the Portland Oregonian, "...a low-key and sharply observed portrait of New York Right Now... There are laughs and moments of pain... More about this film...

Who says family entertainment has to be nerfed? How to Train Your Dragon is a great action movie with an easy to like story, something you'd find in most Pixar/Disney animated films.
Set in world of dragons and Vikings, Hiccup (voiced by Jay Baruchel) is a pre-teen struggling to make his father proud and follow the footsteps of the dragon-hunting Vikings. As he makes a connection with a dragon, he discovers that the body of knowledge his people has built over the centuries is full of inconsistencies. He then must reconcile the true nature of dragons and Viking communal knowledge/tradition.
Voice acting is top notch with Jay Baruchel, Gerard Butler, America Ferrera, Jonah Hill, and Christopher Mintz-Plasse (the last two are two of fave actors from Superbad). The animation is not that captivating, but the final battle sequence draws a lot from epic film inspiration. My only beef is that the film is a bit lacking on humor.
How to Train Your Dragon delivers the goods as a family-friendly adventure that kids and parents will like.
Rating: 4/5
Technorati: How to Train Your Dragon

If comedians Steve Carell and Tina Fey were nuclear atoms, the two coming together in Date Night would result in a reaction that would wipeout humankind-- yeah, the movie is THAT funny.
Under the direction of Shawn Levy (Night at the Museum), Carell and Fey play the suburban-couple-stuck-in-a-mess perfectly and their comic talents shine. They bring to the table what makes their respective shows (The Office and 30 Rock) work and their exchanges are very witty. I also liked how other stars supported the movie. Mark Wahlberg, James Franco, Leighton Meester, Mila Kunis, Mark Ruffalo and Kristen Wiig all had their moments.
The mistaken identity plot is pretty pedestrian, but folks will live with watching the leads. Folks who are looking for slapstick will be gravely disappointed-- there's some physical comedy here, but the Carell-Fey combo is just gold. One final thing: watch till the end credits roll. :)
Date Night is a movie I'll recommend to any one who'd like to be blown away by great comedy.
Rating: 4/5
Technorati: Date Night
We see many movies on a weekly basis but it will be much more convenient if we can Watch Movies Online instead of going to cinema halls to catch the first show. I had been searching for options to either download movies or watch Free Online Movies and found a great option in MovieMedias.
Do you know any sites to watch Hindi movies online? It’s good to see that some filmmakers are thinking of launching their movies on Youtube, I just wish they will have better quality. Something that’s not as heavy has HD but is better than their normal quality.
What’s your favorite site to watch films online? What kind of quality do you prefer? I believe HD is overrated because most monitors can’t render the quality anyway.
There’s a rumor around Seattle that Vampires may be coming to Seattle this summer to the Fremont Outdoor Movies!
Apparently, there is a Lunar Eclipse on Saturday, June 26th just days before the final chapter opens in theaters everywhere on June 30th.
We wish we could tell you more right now, but you’ll just have to keep checking back for our line up released on May 15th.
In the meantime, check out the Official Twilight website for all the very latest news and announcements on one of your biggest summer movies this year.
Stay tuned!
Testing & tuning for the DTM in Valencia
The first glance behind the scenes
The architect and designer Matteo Thun
Dog the Bounty Hunter is currently on tour, signing copies of his new book "Where Mercy is Shown, Mercy is Given." It's been an exhausting trek for the world's most famous bounty hunter, but Dog recently found the time to swing by the TNA Impact Zone, meeting up with the one and only Hulk Hogan.
See a picture of Dog and Hulk at TNAWrestling.com .
Although I’m not a fan of the first film (Twilight), I thought New Moon was better in some area’s and worse in others. Being more depressing than Twilight was going to be hard. It was also much more predictable. At least there’s a little more action this time. The special effects were average as they decided to go werewolf style instead of vampire style this time around. You would have expected better with the budget they had to work with. It was much more mysterious and suspenseful when you knew they were werewolves but never really saw them. I don’t know, 10 foot tall, 500 pound werewolves made it just a little silly and overdone for me but, legions of loyal fans made the movie a huge success at the box office. So who am I to argue.
As the film picks up where Twilight left off, as we find Bella Swan – Kristen Stewart and Edward Cullen – Robert Pattinson are breaking up, which sends Bella into a long, tiring, depressive state. Bella begins seeing mirages of Edward whenever she’s in danger, trying to warn her, so decides to do anything dangerous just to see his face. When she finally begins to come out of her shell there’s Jacob Black – Taylor Lautner ready to try and swoop her off her feet and fill the void. You never really believe she is going to give up Edward for Jacob and thats where the film kind of loses it’s bite. Eventually Edward will return and the love triangle will start to cause drama (no surprises there). The film deals with love lost, friends trying to become more than friends and all the young love issues in between. I really kind of miss the vampires because the werewolves are just a bunch of wild teenagers looking for thrills and there just not that interesting. It’s always going to be team Edward and you all know it.
If my review sounds a little on the negative side it’s because the whole teenager depression thing just isn’t my cup of tea. most teens will really like this, and the true Twilight fans will love it. I do have to give praise to Kristen Stewart though, she really is the star of movie, and plays her part very well. She seems to be the only person in movie with real emotion and character. Is it what-to-watch? It sure is.
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The Fremont neighborhood will be a little safer this Fourth of July weekend, as we set out to walk and dance our way into the history books one more time at the Fremont Outdoor Movies’ annual movie event, The Red, White, and Dead Zombie movie event thanks to the team at Zombie Squad in attendance this summer.
Zombie Squad is an elite zombie suppression task force ready to defend your neighborhood from the shambling hordes of the walking dead. We provide trained, motivated, skilled zombie extermination professionals and zombie survival consultants. Our people and our training are the best in the industry.
When the zombie removal business is slow we focus our efforts towards educating ourselves and our community about the importance of disaster preparation.
To satisfy this goal we host disaster relief charity fundraisers, disaster preparation seminars and volunteer our time towards emergency response agencies.
Our goal is to educate the public about the importance of personal preparedness and self reliance, to increase its readiness to respond to disasters such as Earthquakes, Floods, Terrorism or Zombie Outbreaks. We want to make sure you are prepared for any crisis situation that might come along in your daily life which may include having your face eaten by the formerly deceased.

With summer just around the corner, Seattle welcomes the return of warm summer nights, family vacations, the afternoon barbeque and Zombies? Yes, thousands of Zombies are planning their return to Fremont this Fourth of July weekend to walk and dance their way back into the history books for a bloody good time and cause.
The Fremont Outdoor Movies is counting on all of Seattle to come out and represent their city to return the Guinness World Record back to its rightful owner and crown Seattle the “Zombie Capital of the World” once and for all in the Dead Center of the Universe – Fremont.
The Zombie walk world record is 4,026 and currently held by the Big Chill Music Festival in the England, which narrowly edged out Seattle’s 3,894 last August. Event Producer, Ryan Reiter believes it will take 10,000 zombies to hold onto it for a while, but is confident Seattle can do it. Eric Pope of The Seattle Zombie Walk organization is back to help unite and lead the official Zombie Walk this July and excited about the possibilitIes.
This year’s festivities will return with a huge Thriller Dance, Zombie fashion show, musical performances, special guests and all time Zombie classic, George A. Romero’s DAWN OF THE DEAD. This year’ event will also include a blood drive, canned food drive and a portion of the proceeds will be donated to the local non profit organization, the Seattle International Film Festival in support of their new film center that will be at the Seattle Center.
Jon Hegeman, Founder of the Fremont Outdoor Movies tells us “This is all about community celebration, having fun, supporting a great cause and not about bragging rights; but who doesn’t love a little healthy rivalry for a great cause to make things more interesting? Fremont is the perfect neighborhood to celebrate such a fun accomplishment.”
In response to skeptics, Reiter says “There are a lot of people watching us who don’t think Seattle can do it, one being Grand Rapids, Michigan, who continue to claim they hold the Guinness World Record. It remains unofficial to this date…so I leave it to the people of Seattle to decide its fate to bring it back home. I know we can do it.”

Eric Pope, Seattle Zombie Walk and Ryan Reiter, Founder ZomBcon st SDCC’09
This year the walk falls on a Saturday with the festivities starting a bit earlier to ensure people can have time to get their make-up done on-site. Participants can register online and make their $3.00 donation ahead of time to make their entrance to the event much faster and track our numbers to make the Guinness World Record submission much easier. People can register starting May 1st at the official ZomBcon website
Reiter talks about the magic of last year’s success by saying “It encouraged all of us tap into our inner Zombie, get dressed up, interact with their neighbors and indulge in fan culture; offering a positive spin on what a Zombie outbreak might just look like…and it looked pretty darn good.”
This year also marks the “Year of the Zombie” and Seattle seems to be the center of attention, as 2010 marks another first for Seattle with ZomBcon, the world’s first Zombie Culture Convention infecting Seattle on Halloween weekend at the Seattle Center and Experience Music Project with over 100 Exhibitors, 10 interactive fan workshops, panels, a SIFF-curated film series, and Halloween Masquerade , Zombie Prom party. We plan to have a collection of experts, authors, filmmakers, historians, celebrities and all the gear and fan fare for the Quintessential Zombie fan.

Photography by Kelly Bailey
It’s the first of it’s kind in the world on the convention circuit and we plan to have some amazing guests and events to kick off it’s first year” says Reiter, Founder of ZomBcon.
Along with early support from community supporters, The Seattle International Film Festival and Experience Music Project the very excited for the opportunity to bring another big event that celebrates fan culture to Seattle.
We post many movie trailers on this movie review website but we only have access to Eros Entertainment Trailers. I will recommend a friend’s site for movie trailers. Cine Marv has a simple navigation, comprehensive collection and most importantly they also write synopsis for each trailer that makes them very different from watching the same trailer on YouTube or other ‘generic’ sites.
I also like their ad-free player, they only include ads in the sidebar and not as a video overlay. Moroever, the quality is definitely much better than what you get on other ‘generic video sites’.
Subscribe to their coming soon section’s RSS feed by mail and don’t miss any more movie trailers in life ![]()
Watch House M.D Online
Caroline Peters über "Mord mit Aussicht"
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Yuki learns that Maria’s true identity is Shizuka, the pureblood vampire who bit Zero and turned him into a vampire. With this information, Yuki accepts a deal from Shizuka and offers her blood in order to save Zero…Add this to your queueAdded: Wed Apr 14 23:36:03 UTC 2010Air date: Mon Jun 23 00:00:00 UTC 2008Duration: 24:15Closed captions available.
Twenty-five years after abandoning his hometown, Don McKay (Thomas Haden Church) gets a letter from his ex-girlfriend Sonny (Elisabeth Shue) saying that she is dying and wants him to come see her. When Don returns home, Sonny doesn't seem quite like he remembers her and everything seems a little bit off. In his darkly comic debut thriller, DON MCKAY, writer/director Jake Goldberger tells a story where no one is who they seem and everyone appears to be hiding something. DON MCKAY also stars Melissa Leo, James Rebhorn, M. Emmet Walsh, Pruitt Taylor Vince and Keith David.
Purpose:
These highly competitive awards are given to students demonstrating superior professional filmmaking production skills and creativity.
A clear-cut line: the Audi A8
Hollywood is running out of ideas again. How do I know? One of the clearest indicators is that the studios, having exhausted the supply of classic or even sub-par television shows to remake have now turned to a Mad Libs-style creative process in order to come up with film concepts. What better way to produce an entertaining movie than to string some seemingly random words together, base a script around them and then hire whoever needs the money to pay for rehab to star in these surefire hits?
Hot off the world-changing success of Snakes On A Plane, it was time to apply this Dada-esque strategy to a comedy and the result was Hot Tub Time Machine. If you say that title three times in front of a mirror, Candyman-style, you won’t get transported back in time like the film’s retarded protagonists, but you do run the risk of causing a vein to rupture inside your brain from the stupidity of the concept and effectively wipe out your memories of the past 25 years. Which is pretty much like time travel, only without the need to drive your Delorean into a hot tub.
Because honestly, who the fuck wants to revisit the 80’s? Three losers in this movie, played by John Cusack, Craig Robinson, Rob Corddry get to travel back to a ski vacation weekend from their final year of high school, dragging a reluctant nephew along with them to 1986. Said nephew then of course spends the entire time pointing out how awful everything about the 80’s really was, and he’s right - Day-Glo colors, enormous hair and music that relied more on its sense of style than sense of rhythm are all present and accounted for in this movie, rising up from the forgotten past like some kind of John Hughes marathon on VH1 seen through a shaggy hangover.
Of course, along with the played-out fashions and tired expressions there’s the need the recycle as many washed-up 80’s actors as possible to provide that continuity that Hot Tub Time Machine’s target demographic (kids who are too young to remember even the 90’s) are going for. We are treated to winners like Crispin Glover and Chevy Chase, actors who have fallen so far outside of popular conscience that they should have been forced to wear name tags to help the audience understand the novelty of their casting. I can only imagine the uncomfortable scenes that took place between takes as each of those has-beens gazed longingly at Cusack, secretly wondering how he managed to escape the 80’s comedy hell that they themselves never managed to shake.
Ultimately, it doesn’t matter. Hot Tub Time Machines boils down to a few very simple, very easy to understand points. If you love movies where men shout profanity at each other on an almost continuous basis, while occasionally being forced into either fellatio or stripping off all of their clothes in the presence of other men, then you will probably want to watch this twice. However, if you actually remember the 80’s, then you’ll understand when I tell you that sitting through this film is as depressing as watching Reagan get re-elected over and over and over again.
The title is inspired, but this film is an awful conglomeration of events that, though they are meant to produce a coherent plot, ultimately result in an incomprehensible mess. I did laugh when it rained cats on the tin-roofed farmhouse. "Meow!" **BANG**
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Only a few people still live in New York in 2015. They are organized in gangs with their own turf. One of them is led by Baron, another one by Carrot, and they are constantly at war with each other.
Tech broadcaster Tom Merritt joins TWiT
'Buzz Out Loud' anchor moves to This Week in Tech network; TWiT also names CEO
4/19/2010
Petaluma, CA -- The TWiT netcast network has hired Tom Merritt to bring several news- and geek-oriented shows to the channel. Owned by longtime tech broadcaster, president and Chief TWiT Leo Laporte, the five-year-old company sees Merritt, his experience and following as the next step towards becoming a full-fledged 24-hour technology network.
Merritt leaves a position as co-host/co-creator of the popular daily tech news show "Buzz Out Loud" and the shows "The Real Deal" and "Top 5" on San Francisco-based CNET/CBS Interactive, where he has worked since 2004. He also currently co-hosts several independent geek and culture podcasts, including "FourCast," "Current Geek," "East Meets West" and "The Sword and Laser." Merritt has frequently appeared on TWiT's namesake show, a Sunday tech news roundtable with 175,000 viewers/listeners (as ranked by Podtrac).
"TWiT is a pioneer doing Internet video and audio right. Their live streaming, coverage depth and loyal and intelligent community have always impressed me," Merritt said, "I'm really excited to join Leo and the whole TWiT team."
"I've always seen TWiT as a place where great content creators could come and bring their visions to life," Laporte said. "Tom has my highest respect as a journalist of unquestioned talent and integrity, yet he also brings a broad knowledge of various tech-, science-, and geek-centric topics that are unmatched. We're thrilled to have him join the TWiT family."
TWiT is home to many of the world's most popular shows about technology, including "This Week in Tech" and the most popular shows about Apple, Microsoft, Google, Web 2.0, computer security, and more. The network broadcasts 20 live shows each week on its live-streaming channel http://live.twit.tv, offering most shows for download via iTunes and elsewhere.
Merritt and Laporte previously worked together at the cable network TechTV, where Merritt was executive web producer and morning host of the TechTV Radio morning news and talk show.
"Tom is so much more than a host," Laporte said. "I look to his expertise and experience to enhance TWiT and bring even better content to the network. His insight and talent bring us ever-closer to our goal of being a 24-hour network with incredible shows."
TWiT names CEO
Additionally, Laporte has named Lisa Kentzell as TWiT CEO. A former controller for the quarter-billion dollar real estate developer Basin Street Properties, Kentzell had been serving as vice president of finance for TWiT.
"We initially brought Lisa in as a consultant, and she immediately set about establishing the fiscal rigor that a growing company needs," Laporte said. "She quickly gained my confidence in all areas of our business, absorbing not only the ethos of our network, but visualizing the heights to which we aspire. Just as I see Tom as a partner in TWiT's content, in Lisa I've found the operations partner that will help take TWIT to the next level."
About Leo Laporte and TWiT
Leo Laporte is president and Chief TWiT of the TWiT netcast network and host of "This Week in Tech" (the world’s most popular technology podcast) and the nationally syndicated "Tech Guy" radio show. Laporte is the former host of "Call For Help" and “The Screensavers” on TechTV. He and other hosts currently create more than 40 hours of live technology programming each week, streamed live at http://live.twit.tv.
Iron Man 2, Thor and Captain America. All these movies lead up to the main event, Marvel’s The Avengers movie in May 2012! Host Grace Randolph tells you who will be joining Robert Downey Jr, Chris Hemsworth and Chris Evans, and who won’t! Everything you ever wanted to know about The Avengers movie is right here!
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No Michael Myers, no Jamie Lee Curtis, and no Donald Pleasance? Nope, just Tom Atkins butt and some defective Halloween masks. Now that truly is horrifying.
"The Educational Archives" is an entertainment goldmine filled with old classroom training films. This particular assortment contains an Italian man who canna have no bambino until he gets his syphilis fixed, a girl whose LSD trip results in a talking hot dog, and sanitary napkins so large that only three of them fit into a shoebox.
According to Hollywood, if you have been in any kind of committed relationship for more than a few months, you might as well be dead. If you are actually married, or have children well then forget dead – your penis and va-jay-jay have long since been entombed with the pharaohs in some dusty pyramid, never to again emerge into the world of actual sex.
In this fine tradition audiences have been treated to an endless succession of films which dare to ponder what nightmarish consequences might ensure for couples who make the mistake of breaking their tried and true routine. Witness Date Night, a film that stars not one but two reliable representatives of the non-romantic fuddy-duddy community: Steve Carell and Tina Fey. The general plot goes like this: couple decides to drive from Jersey to NYC to get a little dinner. Only instead of dinner they get: A DATE WITH DEATH!
Oh wait – that’s the plot of a much more interesting movie. You see, unlike any film aimed at the teenage set a trip from the ‘burbs to the big city doesn’t involve romantic misunderstandings or a touching coming of age experience but rather a night full of bumbling, gangsters and dirty cops. Instead of a grisly execution on the mean streets of New York, Fey and Carell lurch through the city trying to avoid the fate of the couple whose identity they mistakenly assumed when they stole their restaurant reservation. On the way, they are exposed to Marky Mark Wahlberg’s pecs and participate in the kind of pole dance routine that should be shown in every abstinence education program across the country. Oh and orchestrate a completely unbelievable SWAT sting operation at the end of the film to of course nail all the baddies to the wall - which is something Carell’s character learned how to do while getting his accounting certificate at UTI, I guess.
You see, where American movies like this one get things wrong is with their unwillingness to take any risks whatsoever. Had this been a Japanese script, our fun-loving middle-aged twosome wouldn’t have been able to shrug off the consequences of their dinner reservation gone wrong quite so easily. Oh no – in the middle of the meal Fey would have started to choke, reached into her mouth and begun to pull out an undead, zombie-like child holding her own uterus in its arms and cackling ‘SEVEN DAYS, SEVEN DAYS’ over and over again until Carell bludgeoned it to death with his salad fork. At that point, if anyone was still left in the theatre, Fey would have been attended to by a team of robot surgeons for the remainder of the film, each one cosmetically altered to resemble a former president of the United States.
My proposed plot for a remake of this humdrum date comedy might seem somewhat random, but it is certainly not boring – which is more than I can say for this re-treaded caper flick. Remember when your own parents would go out for dinner once a month, and then come home gassy, bloated and cranky from the bad buffet food and terrible service? This movie is just like that, minus the General Tao chicken.
A twisted, funny, high-octane adventure, director Matthew Vaughn brings Kick-Ass to the big screen. Kick-Ass tells the story of average teenager Dave Lizewski (Aaron Johnson), a comic-book fanboy who decides to take his obsession as inspiration to become a real-life superhero. As any good superhero would, he chooses a new name -- Kick-Ass -- assembles a suit and mask to wear, and gets to work fighting crime. There's only one problem standing in his way: Kick-Ass has absolutely no superpowers. His life is forever changed as he inspires a subculture of copy cats, is hunted by assorted violent and unpleasant characters, and meets up with a pair of crazed vigilantes, including an 11-year-old sword-wielding dynamo, Hit Girl (Chloe Moretz) and her father, Big Daddy (Nicolas Cage).
An explosive tale of double cross and revenge, "The Losers" centers upon the members of an elite U.S. Special Forces unit sent into the Bolivian jungle on a search and destroy mission. The team--Clay, Jensen, Roque, Pooch and Cougar--find themselves the target of a lethal betrayal instigated from inside by a powerful enemy known only as Max. Presumed dead, the group makes plans to even the score when they're joined by the mysterious Aisha, a beautiful operative with her own agenda. Working together, they must remain deep undercover while tracking the heavily-guarded Max, a ruthless man bent on embroiling the world in a new high-tech global war.
A group of suburban teenagers share one common bond: they are all being stalked by Freddy Krueger, a horribly disfigured killer who hunts them in their dreams. As long as they stay awake, they can protect one another, but when they sleep, there is no escape.
"Clash of the Titans" is a remake of the 1981 mythical adventure film about the myth of Perseus. To win the right to marry his love (Andromeda) and fufill his destiny, Perseus must complete various quests and battle both Medusa and the Kraken monster in order to save the Princess Andromeda. The special effects creatures in the 1981 film were created by stop-motion FX master Ray Harryhausen.
The team treats a noble knight.Add this to your queueAdded: Mon Apr 12 21:09:05 UTC 2010Air date: Mon Apr 19 00:00:00 UTC 2010Duration: 44:05Closed captions available.
The Hollywood Reporter has updated their list of shows currently on the network bubble (that is, shows that can go either way — cancellation or renewal), and while Heroes remains a mystery (NBC still refuses to make a decision on it), THR does give Heroes fans room for optimism. They write about the show’s chances: [...]
At long last, there is some good news to report. While NBC has officially renewed a couple of its shows for new seasons, there’s this very good news from The Hollywood Reporter as to the fate of “Heroes”: NBC still has a couple major titles on the bubble for renewal — namely “Chuck” and “Heroes” [...]
Special Branch was a late '60s / early '70s police series about officers who dealt in matters involving espionage, politics and terrorism. It was a hit.
Free television online sites can be difficult to navigate. Here are five easy ways to watch free TV online on your schedule.
Guest review by Spazzo. This is an opera. The plot is about organ transplants that are repossessed if the owner does not make the payments. The cast includes Paris Hilton and Andrew Lloyd Webber's ex-wife. Yes, this is a real film.
BY MARTIN LEDUC. TORONTO (CINEMA MINIMA) — Toronto’s Museum of Contemporary Canadian Art (MOCCA) will be holding their anual Videodrome Audio/Visual battle on April 17th, 2010. Here’s some description from dropframevideo:
The Video Battle is a competition of audio/visual media work, the A/V battle, the VIDEODROME. Developed from the idea of the hip hop DJ battle, artists will throw down fast and hard attempting to out flash each other with selections, cuts and mixes extreme, humorous and dangerous.
See the links below for more details:
http://www.dropframevideo.com/news.html
http://www.mocca.ca/exhibitions/upcoming-exhibitions/B
The Last Airbender movie versus The Twilight Saga Eclipse, from brand new trailers to release dates! Today on Movie Math learn all about the new The Last Airbender Trailer and the new Twilight Eclipse trailer for 2010, as well as Leonardo DiCaprio's own take on a Twilight movie plus the new Disney / Pixar upcoming slate of movies! Host Grace Randolph gives you an inside look at upcoming movies and the box office with an industry perspective!
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HBO has uploaded the trailer for Episode Five of The Pacific. Also available is the historical background video that will be shown before the Episode airs.
Preview Part 5
Basilone’s celebrity grows as he travels across the country on the war bonds tour. On Pavuvu, Sledge, assigned to the 5th Marines, 1st Marine Division, [...]
Update: The link seems to have been removed.
Sky.com has posted 6 minutes of the Peleliu landing sequence that will be shown in Episode Five. This is an intense sequence and one that is surely going to push your home theater system to the limit. This is the one you’ve been waiting for. Check it [...]
Coming up on Episode Six of The Pacific: Despite the suffocating 115-degree heat and a lack of clean drinking water, Sledge, Leckie and the other Marines confront the highly-fortified enemy as they attempt to capture the Peleliu airfield. After seeing his comrades badly injured, Leckie himself is wounded and evacuated from the island. Sledge witnesses [...]
Clash of the Titans: A Movie Review
(Actually, more of a meditation)
by John Lobell
Ok, a mish mash of plots and stories, quarrels and backstabbing among the Greek gods (no Titans, despite the title), confused story lines, and lame dialogue. So, should we just appreciate the great special effects (love that Pegasus) and dismiss the rest?
Maybe not. [...]
Matthew Vaughn’s Kick Ass
Reviewed by John David Ebert
Matthew Vaughn’s Kick Ass is a new addition to the ever growing corpus of works in the superhero celluloid genre, and I must say that it is one of the best and most original superhero movies ever made. It is actually a metanarrative in the tradition of Kill [...]
It's been a long time since an update here and I apologize. Spring Break for schools in this area runs a full week and two days so today is the first day back. I've got plenty so say, which I'm working on, but for now it's probably best to just get out whatever unedited, unformed thoughts on movies I have in my head to break the long silence.*A couple of weeks ago my wife and youngest went to see Mon Oncle at the AFI and I maintain that not only does Jacques Tati work on the big screen (and with a cheerful audience) where he may be slightly mystifying on the small screen, but he triumphs. The film was a delight, yes, but visually Tati is a brilliant observer lacking in all sentiment. It was my wife who noted, "There's not one close-up in this movie." There is not and as she also noted, during the wagon ride scene, it's in close-up that sentiment works its magic. Without it we are only observers to the scene, and the scene thus carries only delight and no goopiness. What a terrific movie! If you ever get the chance to see it on the big screen I highly recommend it.*My wife and I were watching Keys to the Kingdom the other night on TCM and both remarked that Gregory Peck's relentless solemnity made him perfect for roles like this, and perhaps not much else. He had a great, deep and resonating voice, one made for missionary priests and righteous lawyers (To Kill a Mockingbird) but I don't care for him much outside those limitations.*Also while watching Keys to the Kingdom we received an alert from the Associated Press' International Duh Division: Thomas Mitchell is one of the best character actors that ever lived.*Some of those old ABC Mysteries (Columbo, McCloud, McMillan and Wife) were pretty good. We watched some on Netflix Instant and had a great trip down memory lane in the process.*We also watched some Alfred Hitchcock Presents. Not as good as I remember but one of the ones we watched, Our Cook's a Treasure, with Everett Sloane and Beulah Bondi, was terrific.*Hell, we watched a lot of classic tv quite frankly. Maybe Spring Break put us in a nostalgic mood but we also watched Kolchak: The Night Stalker and The Rockford Files.As to the first, it's about as hit or miss as they come and it was quite clear the network was just throwing shit together to hook in the horror/supernatural crowd. The lizard man in The Sentry doesn't even resemble a man in a Halloween costume, he resembles a man in a second-hand, discounted, retrieved-from-the-dumpster Halloween costume. The Trevi Collection, however, about a witch trying to take over the world of fashion, was fairly decent and achieved low levels of creepiness with the mannequins coming to life.As to the second, it's too bad James Garner couldn't have stayed young forever and had one new show after another throughout the decades. The Rockford Files may be an average detective show, and is, but Garner's charisma makes each episode worth watching. And the opening credits, with the still photos fading one into the other, just may make a special tv version of "Opening Credits I Love."Finally, Dennis Cozzalio has chosen poorly. Maury Chaykin responds:
Writing online can be frustrating, invigorating, exciting, demoralizing and rewarding all at once. I've probably wanted to quit and walk away from it a thousand times and still do at least once a week. I usually get drawn back in due to the excitement of seeing a little known movie and wanting to review it. Or going to see a much-discussed new release of which I want to be a part of the discussion. Or just the desire to take a general belief in some aspect of movie-making and put it into words. All of those would fall under the rewarding part of online writing.But the frustrating parts are legion. In fact, they may be greater than the rewarding parts. Let's see, for starters, there's getting into fights with friends over movies, goddamn movies! Or avoiding fights! Yes, that's a big one too. I see some asinine opinion that I want to take down but know I risk my sanity if I get involved and so I avoid it and instead fume, quietly and impotently. Or the feeling that the modus operandi of the online movie community is dull and getting duller. Specifically, take a movie or director not highly thought of and tout said movie or director as unappreciated and brilliant. Say things like, "One day this film/director will be revered, just you wait and see!" And then the comments say things like "I thought I was the only one" and everyone pats each other on the back for having the courage to recognize the artistry of some piece of shit low-budget craphole movie or some jackass talentless hack that the rest of us pay lip service to so as not to appear too cruel. "Well, yes," we say, "I can see your point but I just don't think Mike Mediocrity is that great a director," when what we really want to say is, "What in the fuck are you talking about? He sucks! His movies suck! And I've just lost what little respect I had for your taste with this latest salute to filmmaking half-assery!"And then there's the homogeny of the responses, the trotting out of the same jokey phrases ("I love me some" - Guess what? I fucking hate me some of that stupid cliche!), the reliance on the same tired formats and the leaning on the same pantheonistic crutches that have propped up one worthless movie site after another. Christ, have
you looked around lately at some of the movies sites out there? I mean the commercial ones, the ones overflowing with up to the millisecond news items concerning the world of film, the ones that release a top 100 this or that every few months that we all discuss and argue about like the stupid fucking lemmings that we are, driven to mass intellectual suicide every time some idiot with a "History of the Movies" book writes a list proclaiming La Regle de Jeu or Citizen Kane is overrated while at the same time trumpeting the efforts of that dick you never heard of because it turns out he only made three movies in the 1970s and when you finally got a chance to see them on Netflix they turned out to be stinking, festering piles of horseshit. You know, that guy! He's a genius, Welles is a hack.Or how about the old switcheroo game we all play with director's credits. Boy, I love that game! You know, that's the game where someone sagely declares that, "Sure, I appreciate Vertigo and Psycho and Shadow of a Doubt but honestly I think I've come to view Topaz as Hitchcock's best work." Really? Then shut the fuck up and stop writing about movies because you have nothing important to add to the conversation. Or the reverse where someone declares that the director's most highly praised work really isn't that good. I love that game too! Love it!So where's all this bitter bile leading? What's all this about? How should I know, I'm just writing it. I'm just spewing forth whatever comes to mind in a fit of frustration about all the things I have to do and all the things I have no time to do. I have to get paying work because this shit just isn't cutting it. I find myself reviewing CDs for the free CDs themselves, no money. Great! That's a pretty difficult transaction to make work at the local Trader Joe's, I can tell you. So there's that.I also have to do things, lots of things, lots of random things around the house and around my life on a day to day basis, things that I enjoy doing and this online life cuts into the time needed for them. So the online life has to justify itself and more and more I see only the frustrations and fewer rewards. I'm trying to make short films and keep getting distracted from them by online activity. I'm trying to write a screenplay with a friend and can't focus on necessary
plot details because of online activity. And I don't mind the online activity, the tweets and facebook status updates and blog posts, as long as at the end of the day they pay for their upkeep but lately, I'm not seeing significant returns on my investment if you know what I mean. I won't stop tweeting and facebooking but honestly, I cannot point to anything worthwhile I've done with them. I have enjoyed many conversations but in the end, it's just background noise, nothing else. Maybe I'm not imaginative enough with them but if that's the case at least I'm not alone because we all seem to be using them in the same way. I did start a joke group on Facebook, "If a million people join this group Larry Aydlette will get back online." A few people joined, I didn't advertise it, so you had to see it in my updates to even know about it. But then I started thinking, "Maybe Larry's got it right. Maybe Larry's smarter than all of us put together." I used to find it funny how Larry would go on and offline with such regularity but now I think I understand. It's all just background noise and it's up to us to search for the patterns in the static. If we find them, great! If we don't, or we get tired of the same patterns, we have to look deeper to find some meaning to what we're doing. I'm looking now but I also need to make some art and not just write about it. I'm not going anywhere, I think, or at least not yet, just trying to clear the air. The patterns are clear but the noise from the static is sometimes overwhelming and I just wanted to speak my peace before my voice got lost in the noise. Thanks.
The stark and stunning power of monotony. Of real time. Of following something until slowly, barely, almost imperceptibly, it unravels. And collapses in relief.
That crazy Arbogast is at it again. More savings for the ongoing One You Might Have Saved Blogathon. I'm always game for saving a doomed character in movie history with whom I feel a certain degree of connection so what the hell, let's do it again, but beware, SPOILERS ABOUND!For this entry I choose Sam Bell number five. The movie is Moon, directed by Duncan Jones and starring Sam Rockwell as Sam Bell, which is, for what it's worth, the fifth time in his career he has played a character named "Sam." If you've seen Moon you know that there are an endless number of Sam Bell clones who all serve mining duty on the moon for three years until they are disposed of, or die, to make way for the next clone who will serve for three more years and so on. None are allowed to know they are clones or that they will never leave. Each clone works alone and is under the impression that he is the real Sam Bell and will go home after a three year tour of duty.If you think I just spoiled the movie for you I didn't, not really at least. For one thing, I did give a spoiler warning at the top of the post but mainly, the movie itself is not concerned with a big twist/reveal at the end of the movie. The clone element of the story is revealed fairly early on and the movie quickly becomes a tale of two clones, Sam Bell 5 and Sam Bell 6, who become dependent on each other in much the same way Dustin Hoffman and Jon Voight do in Midnight Cowboy. While many reviews, like this excellent one from This Island Rod, rightly mention nods to 2001, Blade Runner and Outland, none I have seen so far mention Midnight Cowboy and to me, that's the primary influence.
Like all the best science fiction, it's not about the setting or the technology, it simply uses setting and technology to explore character. And so, while Midnight Cowboy and Moon may take place in worlds some 235,000 miles apart, they tell much the same story: two men struggling to make their way in the world, realizing too late for one that helping each other is what they needed to do all along. And what they need to do in this case is get off of the moon before a "rescue" team shows up to correct a mistake in the system, that is, eliminate one of the clones.The newer clone, Sam 6, is awakened to start his tour of duty, memory implants of a life on earth in place, after Sam 5 has an accident leaving him stranded on the surface in a large moon rover. The glitch in the system occurs when Sam 6 finds Sam 5 and brings him back to base. There are two of them now, and they were never supposed to know of the other. This presents a problem for the company running the operation. See, they don't know the two know of each other. They think Sam 5 is still stranded on the surface and are sending that previously mentioned "rescue" mission to get rid of him before Sam 6 discovers him, which, of course, he already has, unbeknownst to them. Sam 6 sees all of this coming and devises an escape plan while the older clone, Sam Bell 5, gets sicker and sicker. Constantly hacking and walking with an odd limp, more vulgar and unkempt than Sam 6, he is the lunar spiritual brother of Ratzo Rizzo.
By the end, a plan is devised and an escape is made but one that Sam 5 can never enjoy. His diseased body is too battered and bruised for this world and while the journey home may give him hope, as the trip to Miami does for Ratzo, it's a trip we know he'll never survive. And so, placed back in his rover for the rescue team to find, he dies and while we know he must, we still don't want him to. He's so helpless and filled with the desire to see his daughter, a daughter that does exist for the real Sam Bell, but is nothing more than a stranger to Sam 5, that we want him to make that journey home, desperately. Which brings us around to the whole point of this post and of Arbogast's ongoing blogathon. If I could, I'd walk into that station with the best medical team I could find and, by God, we'd make Sam better. We'd get him well and bring him back to earth safely. And even though his daughter wouldn't know him, since her real father, the real Sam Bell, is fifteen years older, I'd make sure, somehow, he got a chance to at least see her. And all of this is a testament to just how well Sam Rockwell pulls this whole thing off. He takes two identical characters and makes them so different, I forgot, and easily, that it was the same actor playing them. Rockwell makes Sam 5 so sympathetic that when he finally does shuffle off this mortal coil we wish only that we could've saved him. And if I could, I'd go all the way to the moon to do so.
...none of this means anything. This post has been a long time coming. In the past few months my productivity here has dropped off gradually, but not dramatically, and I find myself questioning more and more what any of it means and what value any of it holds. Not much, I think. I have stated both here and on Facebook my desire to complete a short film (one I'm not sure I even understand) and a story for a screenplay as well as the desire to find better paying work to provide for my family and make me a better father and husband. Right now, just now in fact, in this moment, Cinema Styles stands in the way of that. I have to put it aside, not indefinitely mind you, or even for an oppressively long period, just for a little while. Maybe two months, maybe only two weeks. I'd like to announce how long Cinema Styles will be idle but the truth is, I don't know. I do know I am not foolhardy enough to abandon something that has been as rewarding to me as this blog and so I assure you, I will not. I just need to finish some things up and kick-start a few others. For that to happen, I need to stop spending days tensing myself up because I can't think of anything good to write and then thinking of something, writing half of it and abandoning it only to start the whole process over with another piece that will end up in the same ashcan. And for what? I mean, really, there comes a time when reality makes itself known and announces loudly, "It's just a blog." What's more meaningful is when you finally hear it. I also know that reading the posts of others and commenting on said posts often provides me with inspiration so let me also apologize preemptively if all of this turns out to be much ado about nothing. To wit, don't be surprised if three days from now I put up a new piece. Such is the way of fleeting inspiration and if it does come, I won't suppress it. But if it doesn't, I'm not going to force it, and that's the main thing I'm attempting to state with this post.I will keep posting on The Invisible Edge for a couple of reasons. One, I have never not enjoyed it. Sometimes that has been the case here but there, never, not in over two years now (don't go by the archives dates, I'm constantly shifting, changing and deleting posts in an effort to simplify the format). I always enjoy sharing the bizarre photographic ephemera I come across in my casual searches of public libraries and university archives. And two, it's effortless. I mean, really, I find a pic, save it and post it. I don't even add captions to most of them anymore. Each post literally takes seconds to complete.As for Unexplained Cinema, I don't know. I'm not sure how many people find any value in it (or if I even do) but it is so low maintenance for me that I can't imagine bothering to suspend it or shut it down. If I post there again, great, if not, no big deal. It is my favorite template design though of all the ones I've created (if you scroll down the page it is intended to mimic frames in a film strip, hence, no sidebars) so I definitely will never get rid of it entirely. And that's that. I will see all of you on Facebook, at The Invisible Edge, at your blogs and websites or just... around. I'll return here too, in a bit, once I get my bearings. See you then.********************P.S. - My apologies, but the comments for this post are closed. Thanks.
Der Schauspieler Francis Fulton-Smith über das Wirtschaftsmagazin "Wiso"